Monday, 25 May 2026
Egypt celebrates UNESCO recognition of simsimiyya
In the heart of Ismailia, where the Suez Canal weaves stories of resilience and triumph, the third National Simsimiyya Festival unfolded with a vibrant celebration of Egypt’s cultural soul. The event, held at the Ismailia Culture Palace, marked a historic moment: the UNESCO inscription of the simsimiyya, a beloved stringed instrument, on the Intangible Cultural Heritage List.
This milestone, a testament to Egypt’s dedication to preserving its traditions, brought together artists, scholars, and enthusiasts to honor the instrument that has long echoed the spirit of the Canal region.
The festival kicked off with a grand opening led by Dr. Ahmed Fouad Hanno, Egypt’s Minister of Culture, alongside Major General Akram Galal, Governor of Ismailia, and Major General Khaled Fouda, Advisor to the President for Local Development.
The stage buzzed with energy as nine folk troupes from Ismailia, Port Said, Suez, and Sinai showcased the simsimiyya’s soulful melodies and rhythmic dances. The performances, blending music with movement, captivated a packed audience, painting a vivid picture of a tradition that has carried the region’s history through generations.
Dr. Hanno, addressing the crowd, spoke passionately about the simsimiyya’s significance.
“This instrument is more than music—it’s the heartbeat of the Canal’s people, a witness to their struggles and victories,” he said. He emphasized the Ministry’s commitment, under President Abdel Fattah El-Sisi’s guidance, to safeguarding Egypt’s intangible heritage as a cornerstone of national identity and a bridge to global recognition. The festival, he noted, was a vibrant platform to share this legacy with younger generations, ensuring its melodies endure.
The event wasn’t just about performances—it was a heartfelt tribute to those who’ve kept the simsimiyya alive.
Three legendary artists—Yahya Muller from Ismailia, Sayed Kapouria from Suez, and Zakaria Ibrahim from Port Said—were honored for their lifelong dedication to the craft. Their weathered hands, strumming the simsimiyya’s strings, have passed down stories of resistance and joy, keeping the tradition vibrant. The Minister also recognized the scientific committee, whose two-year effort, in collaboration with the Ministries of Culture and Foreign Affairs, secured the UNESCO listing. Dr. Nehla Imam, a committee member and heritage expert, beamed with pride, calling the day “a celebration for every lover of heritage who believes in its joy.”
Major General Galal, the Ismailia Governor, underscored the simsimiyya’s global resonance. “This local instrument has become a universal symbol,” he said, noting its place as Egypt’s tenth element on UNESCO’s list. He thanked the committee for their meticulous work and the Ministry for choosing Ismailia to host this cultural milestone. Major General Khaled El-Labban, head of the General Authority for Cultural Palaces, echoed the sentiment, emphasizing the festival’s role in reviving folk arts and connecting new generations to their roots.
Over two days, the festival transformed Ismailia into a hub of cultural pride. The second day saw performances at the Sheikh Zayed Youth Center and Fayed Beach Theater, where troupes like Ismailia Folk Arts and Port Said El-Sahaba brought the simsimiyya’s infectious rhythms to life. Directed by artist Maher Kamal and hosted by Ahmed El-Shafei, the event was a seamless blend of tradition and celebration, with every note and dance step honoring the Canal’s enduring spirit.
As the simsimiyya’s chords rang out, the festival did more than celebrate a musical instrument—it reaffirmed Egypt’s commitment to its heritage, weaving a thread of identity that connects past, present, and future. With UNESCO’s recognition, the simsimiyya now strums not just for Egypt, but for the world.